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Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini

LF (LPL) camera in this Ready to Shoot V-Mount Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA Mini LF is designed with ARRI’s LPL lens mount that has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a PL-to- LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

The ALEXA Mini LF is a hybrid of the ALEXA Mini and the ALEXA LF, as it retains the same LF sensor but has the form factor of the Mini. The new exterior has a left-side media bay with two rows of connectors on the back and a slot to insert 1TB Codex media. It also features six user buttons, three more than the Mini, to configure to your preference. It also features extra 12 and 24V power outputs and a black burst/tri-level input. The audio connector is now 6-pin, so it doesn’t conflict with the 5-pin timecode port.

This Ready to Shoot GOLD-Mount Set includes everything you need to get up and shooting with the ALEXA Mini LF such as the PL-to-LPL adapter LBUS, EF ADAPTER LBUS, 2 X 1TB Codex drives, a viewfinder, side and rear brackets, accessory and bridge plates, a GOLD- mount battery power splitter box, and connection cables. Read more about the included items below.

Expanding on the original FS7, Sony’s PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as «Cinéma Vérité»-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.

Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.

The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera’s functions and features an adjustable length support arm.

• Appareil photo numérique hybride (sans miroir)
• 12.2 mégapixels, capteur plein cadre
• Stabilisateur optique d’image 5 axes intégré
• Vidéo 4K avec lecture des tous les pixels sans perte
• Écran ACL inclinable 3po, viseur électronique OLED

Product Highlights

• HDMI, HD-SDI & Cross Conversion Compatibility
• 5.4 Million Pixel Resolution LCD Viewfinder
• 0.61″ Micro OLED Display Viewfinder
• 16.7 Million Colors
• 1280 x 720 HD Resolution
• Anti-fog Coating Formula

The Aputure MC is Aputure’s first RGBWW film light. This light features full HSI color control and a CCT range of 3200K-6500K, giving you a full range of color options in a footprint roughly the size of a credit card, allowing it to fit in anywhere. Built-in Sidus Mesh technology also allows you to use the Sidus Link app to unlock all of the light’s capabilities. As the first color-mixing M-Series light, the MC offers filmmakers immense flexibility.